When Art Leaves the Gallery Wall
Fine Arts Paris 2026 · Art, interiors & living
From 19 to 23 September 2026, Fine Arts Paris brought around a hundred international galleries to the Grand Palais. With the fair’s scenography entrusted to Charles Zana, a question came into focus that reaches beyond the exhibition: what happens to a work of art when it enters a home?
We see a painting differently according to distance, light, the height of a wall, the presence of an armchair or an open doorway. Interior architecture does more than provide a backdrop. It shapes our approach, allows for pauses and makes encounters possible between artworks and the people who live with them.
The Financial Times marks this edition with a selection by seven designers. This meeting of perspectives interests us: it shifts attention from the isolated object to the ways a collection can inhabit a space. Choosing a work of art also involves choosing how to live.
But living with a painting does not mean matching it to the sofa. A painting may disturb a balance, open up an unexpected depth or insist on its own light. Sometimes that resistance is precisely what gives it a place. The room changes in its presence.
Fabricia Lepoutre’s interiors invite us to take this reflection further. Doors, windows, tables and objects construct a space that colour rearranges. Hanging one of these paintings at home opens one interior within another: a painted place enters into conversation with a lived one.
Fine Arts Paris thus recalls something that the great fairs sometimes overlook: collecting a work of art is not simply about owning an image. It is about living with it.
Continue the conversation with Fabricia’s paintings.
Explore the interiorsPaintings in their surroundings